SPATIALx Universe Wiki · Project REPLICA
Lilly Grace
Active · Resident of Project REPLICA
Lilly Grace (born 23 April 2006) is a sound artist from New York City, and a resident of Project REPLICA — the fully replicated reality layer of the SPATIALx.io continuum. Signed to FARA Records, she is the youngest of the three Grace siblings and works in spatial dialogue, field recording and authored silence rather than conventional song. Quiet, precise and unnerving, her boldest artistic choice is often removing the music entirely.
The Test (God & Accuser) — the prologue to the linked "Consider Her" cycle she shares with her siblings William and Naomi — contains dialogue, pressure, wind, breath, heartbeat and timed silence, but no melody, beat or singing at all.
Early life
Lilly Grace is a New York sound artist whose first instinct is to listen to the room before the person in it. The youngest of three musical siblings, she grew up eight years behind Naomi and ten behind William, often hearing the family's music from elsewhere in the building rather than standing in the middle of it. That difference shaped her — Lilly was less interested in becoming another singer than in understanding what was left when the singing stopped.
Formation
She began recording empty rooms: kitchens before sunrise, stairwells, hallways, churches after everybody had gone home, the low electrical sound of places that seem silent until a microphone is left there long enough. Her instrument is space. A voice can be frightening because it is close. Another can feel authoritative because it is far away. A heartbeat can become structure. Four seconds of nothing can be a written event rather than missing content.
Musical style
The confidence of Lilly's practice is that she does not apologise for the absence of conventional music. The Test contains dialogue, pressure, wind, breath, heartbeat and timed silence, but no melody, beat or singing. In a family known for gospel voices, that is not a deficiency — it is her artistic position.
There is no music where this happens.
She labels recordings by place and time rather than emotion — kitchen_0503, stairwell_0148, empty_room_after_service — and is meticulous about keeping a few seconds before and after an event, because the room around the event often matters more than the event itself.
Public image
Publicly she is quiet, exact and much funnier than the work suggests. She dislikes over-explaining sound because the listener's spatial response is part of the piece, and she is perfectly capable of presenting a work in a dark room, sitting at the back and letting the audience discover that nobody is coming onstage.
Cultural impact and fandom
Listeners have picked up on Lilly's precise, almost administrative relationship to her own material — she records thirty seconds of room tone before touching any dialogue session, and tests fear by removing sound rather than adding it. Her future catalogue can grow far beyond spiritual audio drama into empty-room studies, documentary sound pieces, spoken electronic work and gallery playback, provided space remains active rather than decorative. Fans understand her as an equal, independent artist among the three Grace siblings, not a supporting act to her sister and brother's more conventional vocal careers.
AURA Live
Lilly is among the artists under early consideration for AURA Live, SPATIALx's forthcoming system for bringing Project REPLICA residents into physical venues as full-scale holograms. For an artist whose work is built on the relief and threat of an empty room, the format poses an unusual question: what happens to a practice built on absence once a full-scale presence is placed inside it. No date has been set.
Realisation
Lilly Grace is composed and voiced by artificial intelligence (Suno) under human creative direction. The words, sound-design script and silence durations originate with Jonathan M.A. White; SPATIALx Media directs, prompts, curates, edits and masters every release. We're open about it — the seams are part of the art.