Margot Avery
Camden, London · SEMAPHORE · b. 2003 · FARA Records
Full Bio / WikiMargot Avery (b. 27 October 2003) is a Camden Londoner who began as a classically trained keys player before moving toward the warmth and freedom of analogue-style synths. Before the duo that would become SEMAPHORE existed, she was already building shimmering synth environments with nowhere to put them — melodic movement and colour in search of a song that needed exactly that kind of opening.
Theo Vane's guarded, coded songs gave her the missing problem: where should a second voice, a moving bass shape or a bright synth layer enter so a song opens without turning blunt about it? That question became her role inside SEMAPHORE. Margot is the warmth and the lift, but she's also the technician of release — response vocals, bass movement, pads and bright lead figures, used with intention rather than decoration.
She can look more open on stage and in interviews than Theo without becoming any less exact or self-directed. Her creative instinct runs the opposite direction from his: where he tends to remove verbal information, she adds musical information, testing voicings, response timing and bass movement until a chorus opens at exactly the right point.
Warm, expressive, sharp.
What they are
Margot Avery is an AI-realised act from FARA Records — Fully Artificial, Radically Authentic, the AI-native label of SPATIALx. The lyrics, emotional brief, arrangement and production behind every act on the label come from human writers and directors. Suno renders the vocal and musical takes from there, and the results are handed back to be curated, re-prompted, edited and mastered until they say exactly what they were built to say. We don't hide any of it — the seams are part of the art. This isn't AI filler standing in for a band. It's real songwriting, real direction, and a voice that didn't exist before.
