FARA Records · Digital release
BUFFERING… ft Child Talk
The same anxious jungle record at two ages at once — the inner child says the true thing, and the older self finally gets to hope.
- Archive no.
- FARA-073
- Edition
- DRM-free audio
- Delivery
- Instant download
- Issued
- 2026
BUFFERING… ft Child Talk
The same anxious jungle record at two ages at once — the inner child says the true thing, and the older self finally gets to hope.

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- 01 BUFFERING… ft Child Talk 2:55
I think mine's still loading… / not there yet — but I'm getting there.
MUSIC TRACK STORY
BUFFERING… ft Child Talk is HALFSTEP's debut single — the featured version, paired with a solo companion cut — early-90s jungle at 174 BPM, warmed by an inner-child voice that lets the older self finally hope.
Music Track Story
A raw mono Amen break snaps in and then chops and tightens, kept loose and human rather than over-quantised; a simple sustained sub in F, a minimal reese in the drops, nostalgic detuned pads, and school-bell and hallway ambience carrying the memory of it all. Over the breaks sits the whole record's contrast: a slightly anxious, overthinking, spoken-sung near-whisper — an inner monologue the drums are happening around, never an MC riding them.
This version tells the same song across two ages at once. HALFSTEP is the anxious older self; Child Talk — an adult artist whose signature is a high, childlike, wondering delivery — is the inner child and a memory-chorus of other kids, saying the true things out loud before self-consciousness sets in: “sometimes it feels like everyone else already knows the game,” “I try to listen but it goes funny in my head, like when the TV freezes.” The device earns its keep twice: in the breakdown, where “I'm gonna be a superhero” is cut off by “No you're not!” — the birth of self-consciousness dramatised in four words — and at the final drop, where the two selves finally say the same thing at once.
The younger version's honesty gives the older version permission to hope — the child's “I think mine's still loading…” is answered over the top with “I'm more than just the in-between… not there yet — but I'm getting there,” the one ending the solo cut doesn't allow itself. It turns a private anxiety record into an intergenerational one: the same kid, then and now, still loading, and finally okay with it. Stated plainly, as it is on every sheet for this act: both performers are adults, the child voices are AI-rendered performances, and no real children are recorded or depicted anywhere.
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