FARA Records · Digital release
Warped Intentions
The bass is bending my decisions — sixteen bars with no vocal at all, letting the bassline argue the whole case. Press play. Don't fight it.
- Archive no.
- FARA-130
- Edition
- DRM-free audio
- Delivery
- Instant download
- Issued
- 2026
Warped Intentions
The bass is bending my decisions — sixteen bars with no vocal at all, letting the bassline argue the whole case. Press play. Don't fight it.

PREVIEW CHANNEL — SELECT A TRACK
0:00 / 0:00 · PREVIEW
- 01 Warped Intentions 3:15
I came with warped intentions, baby — the bass is bending my decisions.
MUSIC TRACK STORY
Warped Intentions is SKEW's debut single — the first record released under his own name after six years engineering for others, sleazy and propulsive, a bassline that argues its case with a grin and never apologises.
Music Track Story
Warped Intentions is the debut single from SKEW — speed garage at 135 BPM built the way an engineer builds a record, not the way a singer does. A soulful topline arrives pitched up slightly in the verse, states the intention once, and then vanishes for sixteen bars while a warped rolling organ-style wobble bass takes over the argument entirely. When the voice comes back it has been chopped into fragments — "warped… intentions… baby…" — no longer forming sentences, just agreeing in pieces. Four-on-the-floor with the snare on the 2 and the 4, deep sub, crisp shuffling hats, time-stretched stabs: dark and rolling, mixed with an engineer's discipline so the low end is enormous and still leaves room for everything else.
It is not a cautionary record and it is not a remorseful one — there is no morning-after verse, nobody learns anything. "The bass is bending my decisions" is the stated mechanism inside the song's own logic, not a metaphor: the music is the temptation, and the arrangement argues the case instead of the lyric.
The one moment of doubt is the breakdown, where the bass drops out entirely and the pitched vocal is left echoing on its own with nothing holding it up. The hook returns three times, and the third one is cut off mid-line: "Every wrong turn—" and then nothing but bass, kick, and silence.
What it's for: complicity. Not warned, not judged, not redeemed — grinning, slightly guilty, and already moving.
£0.99
