FARA Records · Digital release
Kismet — Not Ironic
Feel-good radio-pop with the uncanny left in — sweet on top, strange underneath. Press play. It'll feel too easy.
- Archive no.
- FARA-025
- Edition
- DRM-free audio
- Delivery
- Instant download
- Issued
- 2026
Kismet — Not Ironic
Feel-good radio-pop with the uncanny left in — sweet on top, strange underneath. Press play. It'll feel too easy.

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- 01 Not Ironic 3:09
I woke up late, but caught the train. Green lights all the way again.
MUSIC TRACK STORY
Not Ironic is Kismet's debut single — the sunniest, most radio-perfect pop song she could write, which turned out to be the eeriest thing she's ever made.
Music Track Story
The whole song runs on one discovery: a song where absolutely nothing goes wrong has nowhere to go. Every verse stacks good news like a checklist — the caught train, the coffee that didn't spill, the on-time text, bills paid, “no red flags, no chaos, no mess.” The chorus lands it with a completely straight face: “it's like everything is working out for me, like the world is how it's supposed to be.”
Then, almost as an aside, the second verse cracks the surface: “but why does it feel so clean?” The post-hook starts looping on itself — “so perfect… too perfect…” — and the unease that was always sitting inside the sweetness finally gets a name.
The bridge is where the whole concept declares itself. It rewrites Alanis Morissette's “Ironic” as its exact inverse — a wedding day with no rain, no mistakes, “everything just fits my hands” — and lands, almost whispered, on “why does that feel so strange?” It turns out the absence of bad luck is just as eerie as the presence of it.
Then the dream glitches, tape-slows, and hard-cuts into a completely dry, music-less vocal for the wake-up: “I woke up… from my Morissette dream… isn't it ironic? Don't you think?” The spell breaks in real time, in the mix, not just in the lyric. She's spent the whole song asking whether a life with zero friction is even real, and the ending answers by simply switching the simulation off.
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THE VISUAL RECORD
