FARA Records · Digital release

Ridge Road Home

Levi Coldiron

A fully traditional, hard-driving bluegrass round trip home — acoustic only, breaks after every verse and chorus, ending on the classic hard stop on the tonic.

Archive no.
FARA-196
Edition
DRM-free audio
Delivery
Instant download
Issued
2026
£0.99 Pay once · yours to keep
Ridge Road Home
Edition artwork FARA-196

Ridge Road Home

Levi Coldiron · FARA Records · FARA-196 ·

A fully traditional, hard-driving bluegrass round trip home — acoustic only, breaks after every verse and chorus, ending on the classic hard stop on the tonic.

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  1. 01 Ridge Road Home 2:58

Some roads only run in one direction until a fiddle turns them around.

MUSIC TRACK STORY

Ridge Road Home is the debut single from Levi Coldiron, raised in a Blue Ridge holler where music was a family trade rather than a career — a handed-down banjo, his mother's shape-note gospel ringing out from the church house. He learned the high-lonesome sound before he could name it: the sound of distance and longing carried over a ridge.

Music Track Story

This is a fully acoustic, fully traditional bluegrass track built on Scruggs-style three-finger banjo, flatpicked guitar with classic G-runs, a hard-muted mandolin chop, a mountain fiddle with a slight bow-rasp answering every line, and upright bass — with instrumental breaks trading after every verse and chorus in the true old-time string-band way.

The song tells a complete round trip the old ballad way: leaving before dawn, journeying away by following a river, and returning in the evening to someone still waiting at the same window. A high-lonesome lead tenor locks into three-part harmony with a shape-note gospel ring throughout, and in the final chorus the closing image shifts from waiting to arrival — the harmony holding that word for the longest sustain in the track — before the whole thing lands on the classic bluegrass hard stop on the tonic.

Fully traditional and fully acoustic — no electric or drums anywhere, breaks after every verse and chorus trading solos in the true old-time way, three-part harmony that rings on the chorus's shape-note gospel hook, a complete narrative round trip across three verses, and the classic bluegrass hard stop on the tonic — no fade, no reverb trail.

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