FARA Records · Digital release

Dark Moon

Delmar Price

A Chicago bluesman alone in a rain-streaked room, asking a cold moon where the woman who left him has gone — and never getting an answer.

Archive no.
FARA-158
Edition
DRM-free audio
Delivery
Instant download
Issued
2026
£0.99 Pay once · yours to keep
Dark Moon
Edition artwork FARA-158

Dark Moon

Delmar Price · FARA Records · FARA-158 ·

A Chicago bluesman alone in a rain-streaked room, asking a cold moon where the woman who left him has gone — and never getting an answer.

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  1. 01 Dark Moon 4:05

Rain on the glass, her face in it for a second, and a moon that won't answer.

MUSIC TRACK STORY

Dark Moon is the debut single from Delmar Price, a Chicago bluesman working in the electric city-blues tradition his family carried north out of the South during the Great Migration. He learned on small stages and a hand-me-down guitar, absorbing both the amplified Chicago sound and the older slide language it grew from — and on this record he pulls the clock back to the smoky, unhurried register of a 1940s club at closing time.

Music Track Story

The song opens on a man alone in a room after someone has gone. Rain starts against the window; for a moment her face seems to be in the glass; the phone stays silent. He turns the only way he has left — asking a cold, indifferent moon where she is, knowing it can't answer any better than the phone can ring.

The band plays it warm and worn: upright bass and brushed drums holding a slow, swinging shuffle, bluesy piano threading through, and a muted trumpet that opens the record alone and returns for two solos in the bridge. Underneath it all, a gritty slide guitar trades phrase for phrase with Delmar's voice — call-and-response, the guitar answering every question the words can't.

"Dark moon / Won't / You tell me / How?" is the record's central ask, repeated like a man circling the same thought at 3 a.m. The song refuses to let him find peace with it: after the trumpet's second bridge solo, it drops back to the pre-chorus and simply stops there — "Where / Oh / Where / Are you now?" — no final chorus, no resolution, no swell. The silence that follows is the point.

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