FARA Records · Digital release

Soft Hours

Marlow ReidJunie Vale

Every silence got a sound it keeps, and mine sounds like your heartbeat. Press play. Leave the door open.

Archive no.
FARA-059
Edition
DRM-free audio
Delivery
Instant download
Issued
2026
£0.99 Pay once · yours to keep
Marlow Reid & Junie Vale — Soft Hours (single cover)
Edition artwork FARA-059

Soft Hours

Marlow Reid Junie Vale · FARA Records · FARA-059 ·

Every silence got a sound it keeps, and mine sounds like your heartbeat. Press play. Leave the door open.

SPATIAL FLAT

PREVIEW CHANNEL — SELECT A TRACK

0:00 / 0:00 · PREVIEW

  1. 01 Soft Hours 3:30

Balcony door left open, just in case the night finds its way back in.

MUSIC TRACK STORY

Soft Hours is the collaborative debut single from Marlow Reid & Junie Vale — a warm, unresolved late-night R&B duet at 112 BPM about a relationship suspended in its most honest, unfinished state. Both artists record under their plain given names, no persona, no concept — a deliberate choice for a genre built on not hiding behind anything. A warm, rhythmic Amapiano-soul groove wraps around the whole song, unhurried and physical, built to be sat inside rather than moved past quickly.

Music Track Story

Marlow's verse lives in the missed calls he never made and a balcony door left open on the small chance the night might undo the distance. Junie's verse lives in the small physical traces left behind — a hoodie worn to the store, a toothbrush still by the sink — “a small rebellion, soft and true.” Both circle the same admission neither will say outright, named plainly in the pre-chorus: they keep dancing round the words they're too proud, then too scared, to say out loud. The chorus turns absence itself into presence: every silence has a sound, and this one sounds like a heartbeat.

The whispered bridge is the song's rawest moment — four small, terrified questions that never get answered. The final chorus resolves nothing and admits everything instead: love as something neither chosen nor escaped, just true. Two voices trading line for line, close enough to feel like one room — an intimate, honest, physically warm record about the specific ache of not-quite-over.

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