FARA Records · Digital release

Words Are Technology

LOGOS//

Words are technology, thought is the key. Press play. Break the lock.

Archive no.
FARA-058
Edition
DRM-free audio
Delivery
Instant download
Issued
2026
£0.99 Pay once · yours to keep
LOGOS// — Words Are Technology (single cover)
Edition artwork FARA-058

Words Are Technology

LOGOS// · FARA Records · FARA-058 ·

Words are technology, thought is the key. Press play. Break the lock.

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  1. 01 Words Are Technology 4:00

In the beginning was the Word — and the Word is still speaking.

MUSIC TRACK STORY

Words Are Technology is LOGOS//'s debut single — a worship-rap statement read through a cyberpunk lens, built on the claim from John's Gospel that speech is not neutral: words are a real technology with real consequences, not poetic decoration. Tense, fractured verse production at 148 BPM in D minor breaks open into a mainstage, hopeful chorus — the cold system cracking into warm release. An uncredited female “answering voice” carries the pre-choruses, a quiet echo underneath LOGOS//'s lead that answers before the full chorus arrives.

Music Track Story

The verses name how silence and passive “neutral” speech get taught as intelligence, and reframe that teaching as a kind of erasure — then widen out to a whole culture of manufactured fear, shame and noise designed to keep people agreeing to their own captivity. The chorus states the record's thesis plainly and reverently: “words are technology, thought is the key… Yeshua came and broke the lock in me” — using the Hebrew form of Jesus's name deliberately, as the song's central act of naming and reverence.

The bridge is the record's most intimate moment — a direct renunciation of an inherited, fear-written script (“I am not the cage they taught me to defend”), answered by the assurance of being known before the wound ever became a name, before returning in duet to the Gospel's opening claim. Convicted and freed rather than lectured: the specific, physical lift of a chorus arriving after real tension, urgency in service of hope rather than fear. The outro closes on the Shema — Judaism's central declaration — alongside the name Yeshua, the song's roots stated plainly at the end.

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